“Who told you I persuaded him?” she asked. She had suppressed a smile, and had accepted. “Thanks, Dad,” she had answered. “It will be nice, having you as my backer.”!

“I really must protest,” exclaimed Mr. Simson. “To whatever wrong uses His words may have been twisted, Christ Himself I regard as divine, and entitled to be spoken of with reverence. His whole life, His sufferings—” She felt so sorry for him. He looked such a boy, with the angry tears in his clear blue eyes, and that little childish quivering of the kind, strong, sulky mouth.

She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. Crouching close to the ground, behind the spreading roots of a giant oak, she raised her eyes. Before her lay a sea of smooth, soft mud nearly a mile wide. From the centre rose a solitary tree, from which all had been shot away but two bare branches like outstretched arms above the silence. Beyond, the hills rose again. There was something unearthly in the silence that seemed to brood above that sea of mud. The old priest told her of the living men, French and German, who had stood there day and night sunk in it up to their waists, screaming hour after hour, and waving their arms, sinking into it lower and lower, none able to help them: until at last only their screaming heads were left, and after a time these, too, would disappear: and the silence come again. He laughed. “I told you I’d be all right if you started me on China,” he said.